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Aplikasi ini banyak direkomendasikan oleh berbagai forumer karena sangat mudah digunakan dan mendukung ribuan jenis smartphone dari berbagai merk produsen hp. Format: or email address. Likewise, for reverb units Ableton only has the stock reverb device which is quite limited, there is also the convolution reverb which is a superb reverb unit, however this is a MaxForLive device so requires the user to have MaxForLive which comes bundled with Suite.
 
 

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In my opinion, the complexity of the pricing model is bordering on the ridiculous. All our courses are created by industry professionals, with a wealth of knowledge and expertise. Our courses are designed to give you skills that are valuable to you as an artist.

Check it out today! Some issues might be a deal breaker for some, for others, they might be barely noticeable. Let us know if you agree with us, and if not — why? Now you have heard all about these two DAWs and how to get creative with them, you will hopefully be utilising your new skills in your own music!

Allow us to help you amplify your music , collaborate with others, and even get your music in TV, film and more. Why not try Music Gateway for free? The ability to record, track, comp and edit audio is non-existent in Ableton Live.

In this article we are In this article, we take a look at the history of the record player and when the record player was invented.

Additionally, we explore how they work and show Login Login. Free 14 day trial. Pete Briley Get Started. Your music career. What you can expect from our newsletters: Industry news and tips Opportunities to submit your music and collaborate with others Free software and resources Free membership to Music Gateway.

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Targeted reach out to some of the biggest independent playlist curators. Radio Promotion. We have a worldwide network of Radio Stations waiting for your track. YouTube Promotion. You’ve made the video, now get it seen. Targeted outreach to digital and physical press outlets. Targeted Social Media Advertising. Reach thousands of people through Facebook and Instagram.

Post comment. By continuing, you agree to our Terms of Service. Already have an account? Erling Svendsen Simon 4. Logic Pro is not compatible with VST plugin.

While that means you cannot install the app directly on any Windows PC, there is another way round. As we have mentioned, you cannot install the app directly on your PC. For that you need to take the route of a virtual machine. Here is what you need to do:. So to ensure smooth running of the app, it would be better to check whether your device meets the following requirements.

Despite an arduous installation process, the app is worth every bit the hardship. It carries great features which are beneficial for beginners as well as professionals. It does a lot more than just cutting, trimming and joining audios. If you feel Logic Pro is a bit too much, then opt for Audacity. Considering its features, the app is also a very good substitute you might try. These newcomers joined an already impressive line-up of distortion, dynamics, equalisation the integrated Channel EQ is particularly good , reverb, delay, modulation and other effect types to give you absolutely everything you need to get the mixing job done.

This round in our face-off goes either way, depending on your primary plugin needs: Live for sound design, Logic for mixing. But there are also marked differences…. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold.

Back across the pond, Logic is famous for its unrivalled key commands scheme, with which a vast array of shortcuts can be customised to suit the specific tactile needs of the user, no matter how eccentric. This amazing hardware controller features an RGB backlit pad grid for versatile melodic and percussive note input, a bank of contextual buttons and rotaries for mixer and plugin control, and plenty of buttons for governance of Live itself — a truly spectacular fusion of hardware and software.

Clearly, Apple and Ableton are coming at this music software malarkey from two wholly alternative perspectives and with a pronounced disparity in terms of pricing flexibility. Ultimately, Live 10 and Logic Pro X are both comprehensive in their provision of MIDI and audio recording, editing and mixing facilities, bundled plugins and brilliantly realised workflows, so deciding between them comes down to three things.

 

Ableton Live vs Logic Pro X: which DAW is best for you? | MusicRadar.Logic Pro X vs Ableton Live 10 | Which DAW is better? – Studio Slave

 
Opengl Ab,eton Windows 7 64 Lpgic. Necessary Always Enabled. In addition, the looping process is simple and logic pro x vs ableton free download flexibility and short-cutting that is possible on Logic Pro is undeniably impressive. OpenGL for Windows. How does it looks on a real device A proper screenshot of is worth a thousand words. Logic, on the other hand, might be better suited to the more leisurely producer. Ableton Live has MaxforLive which makes the possibilities of what you can do with Ableton Live almost limitless.

 
 

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However, from personal experience we feel that Ableton Live is the DAW of choice for fast idea-generation and a speedy workflow. It pays dividends to learn the shortcuts for each application or look at getting a keyboard overlay to help you.

Keyboard overlays are especially useful if you plan on using both apps and will be jumping between them on a weekly basis. In Ableton, this sort of task would require very little extra work from the user.

For this reason, Ableton Live is great for creating complex live sets with tempo changes and is also a great tool for creating studio DJ mixes and radio show podcasts. Ableton has a basic pitch transposition engine which allows for basic edits to pitch and formant but has no real way of making in-depth edits to vocals at this stage.

Whilst this algorithm can sometimes get it disastrously wrong it can be used as a great creative tool to come up with new ideas and is also something we use to extract timing values as well as harmonies and melodies from sampled material.

Ableton Live has MaxforLive which makes the possibilities of what you can do with Ableton Live almost limitless. If you can think of it, Ableton and MaxforLive can do it, such as:. Both Applications great with most standard midi controllers and control surfaces.

Live suite 10 has some great new instruments but in general Logic would be better for someone who wanted to dive straight in due to the fact that you would need the Suite version of Live to get access to many of these new instruments and presets. However, you can buy the extra instruments individually. Operator and Wavetable are must have synths. Logic Pro has a much greater choice for stock instruments and it is clear that a lot of time has been spent to create the presets and channel strips.

These are great to use straight out the box and require little to no tweaking. We can firmly say that If you purchase Logic Pro then there is plenty of instrumentation going on to prevent you needing to buy any third party plugins unless you are trying to create a very specific sound.

Both logic and Ableton have a very comprehensive set of audio and midi devices. I would probably lean more towards Logic devices for things like variations of compressors and reverbs purely because Ableton only has the standard stock compressor, multi-band compressor, and glue compressor and lacks the ability to choose different compressor emulations.

Likewise, for reverb units Ableton only has the stock reverb device which is quite limited, there is also the convolution reverb which is a superb reverb unit, however this is a MaxForLive device so requires the user to have MaxForLive which comes bundled with Suite. If you have had any experience with garage band then you will understand and pick up Logic Pro very quickly. The advanced mode in Logic Pro can be turned off to simplify the workflow for new producers but we recommend leaving this turned on.

For bands, live acts, and electronic acts Live is a strong choice as it is the perfect tool for practice sessions and getting creative. A caveat to this is that some producers find they get stuck in session view and prefer the arrangement view to help them propel their ideas forward into finished tracks.

There are a few things both applications could do with taking on board from one another but they are both equally good at what they do in their respective fields. The only way to truly know is to give both applications a fair trial run for a few weeks. This may seem like a time consuming process but choosing the correct DAW is a decision that you will carry throughout your entire music career so a few weeks spent making the right decision now may shave years off of how long it takes you to break through as an artist in the future.

Furthermore it may save you from having to transition to a different DAW in a few years time if you made the wrong choice when you first started producing. Is it okay to use both? With Logic Pro X now boasting its own well thought-out and tightly integrated take on the same concept in the shape of the Live Loops Grid, however, that edge has been blunted.

Before we mail the trophy to Cupertino, though, Live still has one feature that keeps it firmly at the top spot for on-the-fly loop recording and launching: Follow Actions. This seemingly innocuous little Clip View control panel gives producers and live performers the means to automate and randomise clip launching within Scenes — something no other DAW can do. So Live nabs this one. Alchemy — once a pricey third-party instrument, until Apple bought its developer, Camel Audio — is the more overtly powerful of the two, taking in additive, granular and analogue-style synthesis, with four simultaneous sources, tons of filters and copious effects.

Wavetable certainly holds its own, though — a two-oscillator plus sub wavetable synth with over well crafted wavetables onboard, two filters, comprehensive modulation options, and a supremely accessible interface and workflow, that sounds phenomenal.

For us, those two factors tip the scales. These newcomers joined an already impressive line-up of distortion, dynamics, equalisation the integrated Channel EQ is particularly good , reverb, delay, modulation and other effect types to give you absolutely everything you need to get the mixing job done. So, you need to click the Loop or Files button in the top right-hand corner to make the appropriate right-hand pane appear. The central pane is the main workspace, and both softwares follow the same principle of displaying audio as blocks that can then be arranged in sequence.

In this DAW, there are two options when it comes to the view in the main window: Arrangement and Session. By toggling the two icons represented by 3 lines in the top right-hand corner or by pressing the Tab key on the keyboard if you like your shortcuts , you can choose which view you would like:.

By contrast, in Logic, the horizontal audio sequence display is always in the central pane, and the mixer is viewed in the bottom pane. This bottom pane can be toggled between. For me, Logic has a much clearer layout in that you always have the horizontal sequencer view as your main window.

I also find the graphic layout of Ableton to be much less pleasing to the eye. What really matters is the audio results, but I do think that when you are staring at a screen for hours during a project, it certainly helps if the text is clear and easy to use. In Logic, you can even add little graphics to your tracks so you can see what they are quickly and easily.

With Ableton, you have to wrap your head around the Arrangement vs Session view, and how they each behave. One great thing about the Session view is that you can set it up that you can key in your notes. Whatever notes you key in will automatically be repeated in the same way as a loop pedal might work. Live Performance is really where Ableton comes into its own, and this automatic Loop can be a really powerful tool. I can also see the practical application of this from a songwriting point of view.

A few clicks can set you up with a drumbeat for as long as you need. To set this up, you drag the MIDI sound you would like from the Library onto your track in the sessions view. You can also drag effects such as delay and other voices onto the track. By double-clicking, you bring up a keyboard in the bottom window that allows you to pencil in notes as you go. Ableton will automatically look when you hit the play button at the top of the track. One thing I like here is that the effects and sound parameters are laid out for you at the bottom.

This means you can see in one glance the different things you have going on. You can loop, of course, but you need to specify what regions you would like to loop. For adding effects, I think that the Logic method makes more sense. With the Mixer window at the bottom, you can literally choose from hundreds of different effects and then tweak them.

What I really like about this is that it clearly lists the effects you have on each track. Plus, you can open up the individual effects windows to change the parameters with multiple windows easily workable if you want to see how effects play off each other.

Actually editing the audio is a lot easier in Logic Pro X. By just double-clicking on an audio file, you open the editor window, where you can cut, fade, slow down and pretty much anything else you can think of. This even goes down to editing individual waveforms. In Ableton, editing with this level of granularity is much more difficult. One area where Ableton really shows its worth is in making beats. Logic can even provide a click track based on your input from you playing an instrument, even if you push and pull the tempo.

Of course, you can also design your own beats using MIDI. It is, however, quite a granular process — digging into the MIDI voice with a Pencil tool and indicating exactly where you want your beats to land. With Ableton, there are a ton of pre-populated individual drum hits, cymbal smashes and shuffles for you to drop into any order to create something unique.

Plus, the easy snap feature means that you can easily drag and drop beats to really build your track. Ableton also has free sound packs! Again, the automatic loop becomes a really useful feature in this process. So if you need to create more complex masterpieces, you will probably need to look at upgrading, which also unlocks a wider array of other features and plugins.

The key to any DAW is Plugins! Your plugins are effects that you can add to your tracks to manipulate the audio. These are really what transforms your raw audio into something that sounds palatable. Ableton also comes with a really good number of plugins. For me, the way Logic presents its presets is much easier.

You open up the plugin in question and choose from a dropdown menu. Whereas with Ableton, you need to select from a library and then drag the preset onto your track.